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The Woman Who Poked The  Leopard
Produced by
Rosie Motene & Patience Nitumwesiga


After a life of radical activism that lands her in jail, Ugandan Queer rights academic and
poet Dr Stella Nyanzi decides to run for parliament. Police brutality and tragedies that
follow force her to choose between her children’s safety and the revolution.


In 2018, a woman wrote a poem about the president of Uganda that landed her in jail. The film starts with this poem, along with contextual visuals of the luxurious first family, its military obsession and its brutal dictatorial leadership. The poem is raw and crude, wishing that the president’s mother had suffocated him at birth with her vagina. While in Jail, this prisoner refuses bail and disrobes in court when her hearing doesn’t go well. She spends 18 months behind bars. In 2020, leaving Luzira Women’s maximum security prison with a crown on her head and a “fuck oppression” sash across her body like a beauty queen, she gives the press a speech about her incarceration and how it has made her stronger. Soon after, Uganda announces elections that will happen in 9 months. This brave woman, Dr. Stella Nyanzi, also announces she will run for parliament. Our film is the journey after this announcement, through campaigns, pressure from family and police, eventual losses that follow leading our main character to choose between the frontlines of the revolution and the safety of her children.

Writer, director and co-producer

Patience Nitumwesiga is one of Africa's most prolific emerging storytellers based in Uganda. Her work as a devoted feminist afrofuturist filmmaker, theatre-maker, educator, and artist has scored her numerous prestigious awards. Her brave work on politically sensitive topics amidst repression has put films like The Woman Who Poked The Leopard in the global spotlight. Nitumwesiga's company Shagika is currently producing four features as well as multiple short films and artistic projects including Mbaganire podcast, dedicated to African folktales. Her works featured by distributors, exhibitions, and festivals across dozens of countries explore decolonized perspectives on power, death, gender, loss, and hope.

Directors Statement

I made this film because our current world needs to hear voices like Stella’s without an adulterated white or male gaze. As an African woman who faces the kind of oppression that she faces every day, I understand her rage and I want to document it because I have the same rage inside me. As a mother, I believe that Stella is who she is because she has the kind of love only a mother knows. A love that comes from loving another human more than you love yourself. And watching the world treat that human-like a second-class citizen. But Stella is not sitting on the sidelines like many of us and wishing for a better tomorrow. She has thrown her body, family, love, and career right in the storm of our increasingly growing fascist world and has chosen a life where she pokes the leopard every day with her poetry, her provocative activism, and her lifestyle. I don’t know a single person who is as true to their beliefs as she is. Stella will lose an election she wants to win so badly because she does not want to bend her public persona to a homophobic constituency. It is rare to find a person so bold, so selfless and so loving. Part of the reason for making this film is to live vicariously through her courage, but also to document her for our children, for our country, and for the world.

- Patience Nitumwesiga


If you wish to donate to our film, we are raising funds through various crowdfunding platforms.

Please see below.

Women Making Movies-

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